Oscar Nominees, Part Two

This episode of the Plastic Podcast is the second half of a conversation about the Academy Award nominations and omissions.

The Plastic Podcast

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Oscar Nominees, Part Two

This episode of the Plastic Podcast is the second half of a conversation about the Academy Award nominations and omissions.

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Daily Plastic is an ironically named Chicago-based movie blog, a collaboration between Robert Davis and J. Robert Parks, the same pair who brought you the wearable movie tote, the razor-thin pencil pocket, and that joke about aardvarks. If you know the whereabouts of the blue Pontiac Tempest that was towed from the Plastic Parking Lot on the evening of August 7th, 2008, or more importantly if you've recovered the red shoebox that was in its trunk, please contact us at your earliest convenience.

Davis is the chief film critic for Paste Magazine, and you can send him messages via Twitter. At this moment he is seated in a movie theatre or watching a DVD screener or eating a homemade cracker with his daughter while sipping puerh, or two of the above. Meanwhile, Parks, whose work has appeared in TimeOut Chicago, The Hyde Park Herald, and Paste, is molding unsuspecting, college-aged minds in the aforementioned windy city. Media types are warned to stay clear of his semester-sized field of influence because of the distorting effects that are likely to develop.

The © copyright of all content on Daily Plastic belongs to the respective authors.

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Steve Earle as Walon in The Wire, Season 1, Episode 7: One Arrest

Singer-songwriter Steve Earle pops up here and there in all five seasons of The Wire. Half way through the first season, he makes the first of several appearances as Walon, a recovering addict and a Narcotics Anonymous mentor and sponsor to one of the series' major characters. At the end of the second season, Earle's song "Feel Alright" is the prominent backdrop for the season-capping montage. (Every season ends with one; the one that closes the season about blue-collar dock workers belongs to Earle.) And in the fifth season, Earle opens every show with a cover of the Tom Waits song "Way Down in the Hole."

But the appearance that makes me smile the most is the one in which Earle's face and voice are nowhere to be seen or heard. It's buried in the tenth episode of the first season, in a familiar bit of dialogue:

Jimmy McNulty: Why New York?
Omar Little: Must be something happening out there, man. Too big a town, know what I mean?

By the way, in case you missed this tweet from Darren Hughes: Alan Sepinwall is writing detailed synopses and analyses of The Wire, episode by episode. They're a great way to revisit the show. Sepinwall is churning up lots of new ideas.