Oscar Nominees, Part Two

This episode of the Plastic Podcast is the second half of a conversation about the Academy Award nominations and omissions.

The Plastic Podcast

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Oscar Nominees, Part Two

This episode of the Plastic Podcast is the second half of a conversation about the Academy Award nominations and omissions.

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Daily Plastic is an ironically named Chicago-based movie blog, a collaboration between Robert Davis and J. Robert Parks, the same pair who brought you the wearable movie tote, the razor-thin pencil pocket, and that joke about aardvarks. If you know the whereabouts of the blue Pontiac Tempest that was towed from the Plastic Parking Lot on the evening of August 7th, 2008, or more importantly if you've recovered the red shoebox that was in its trunk, please contact us at your earliest convenience.

Davis is the chief film critic for Paste Magazine, and you can send him messages via Twitter. At this moment he is seated in a movie theatre or watching a DVD screener or eating a homemade cracker with his daughter while sipping puerh, or two of the above. Meanwhile, Parks, whose work has appeared in TimeOut Chicago, The Hyde Park Herald, and Paste, is molding unsuspecting, college-aged minds in the aforementioned windy city. Media types are warned to stay clear of his semester-sized field of influence because of the distorting effects that are likely to develop.

The © copyright of all content on Daily Plastic belongs to the respective authors.

  • What do Arnold M. Picker, Alexander E. Barkan, and Ed Guthman have in common? And also who the heck are they? They're all people who appear on a list that's now more famous than most of its entries: Nixon's list of enemies compiled by chief counsel Charles Colson. The operative word is "most," because debuting at number #19, and still better known than the list on which he appears, is one Paul Newman.
  • He passed away this week, you know. Many good remembrances have been written. Here's just one, from David Edelstein at New York Magazine.
  • We thought of The Hudsucker Proxy, which may not be his best film, but it features one of our favorite of his performances. That gravelly voice almost sounds like Keenan Wynn's.

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