Oscar Nominees, Part Two

This episode of the Plastic Podcast is the second half of a conversation about the Academy Award nominations and omissions.

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Oscar Nominees, Part Two

This episode of the Plastic Podcast is the second half of a conversation about the Academy Award nominations and omissions.

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Daily Plastic is an ironically named Chicago-based movie blog, a collaboration between Robert Davis and J. Robert Parks, the same pair who brought you the wearable movie tote, the razor-thin pencil pocket, and that joke about aardvarks. If you know the whereabouts of the blue Pontiac Tempest that was towed from the Plastic Parking Lot on the evening of August 7th, 2008, or more importantly if you've recovered the red shoebox that was in its trunk, please contact us at your earliest convenience.

Davis is the chief film critic for Paste Magazine, and you can send him messages via Twitter. At this moment he is seated in a movie theatre or watching a DVD screener or eating a homemade cracker with his daughter while sipping puerh, or two of the above. Meanwhile, Parks, whose work has appeared in TimeOut Chicago, The Hyde Park Herald, and Paste, is molding unsuspecting, college-aged minds in the aforementioned windy city. Media types are warned to stay clear of his semester-sized field of influence because of the distorting effects that are likely to develop.

The © copyright of all content on Daily Plastic belongs to the respective authors.

KerryBrown/MGM
Simon Pegg and Megan Fox try to imagine themselves in a much better movie

Ok, here’s how. Make a movie that:

a) utterly wastes the comedic talents of Simon Pegg, one of the funnier guys working in movies today.
b) has its main character be an utter jerk and idiot except when he suddenly needs to be warm and sensitive. Flip a coin before each scene to figure out which personality he’ll be.
c) has entire scenes revolving around a pig running through a high-class reception and an irritating dog flying out a skyscraper window. Those are two different scenes, by the way. Apparently, animals in motion are comic gold.
d) assumes chewed-up food and naked transsexuals are inherently hilarious.
e) is marketed as a comedy even though most audiences will laugh twice. Maybe three times if they’re drunk.

And that's one guaranteed way to lose friends and alienate people.

4 Responses to “How to Lose Friends & Alienate People

  1. Ok, here’s how. Make a movie that ... has entire scenes revolving around a pig running through a high-class reception

    Hey .... do not dis SUNRISE or HUD in your opinion.

  2. Sweet reference, Vic. I didn't think of Sunrise while I was writing, though I should have. Not that this movie deserves such a cool allusion. I don't remember the pig running through a high-class reception in Hud, though. Have I mis-remembered?

  3. No, I guess the pigs running around in HUD aren't really at a high-class reception: it was a kind-of-wrestling contest, all the town's young men chasing pigs around the corral. Which Hud wins in a kinda dirty but without exactly **cheating** way. I watched HUD last week at my personal Paul Newman Tribute festival, so it (and the SUNRISE memory it tickled) were fresh in my mind.

  4. I watched Hud for the first time a couple years ago. That movie is amazing in so many ways: Newman's wonderful anti-hero, how Patricia Neal matches him shot for shot, James Wong Howe's spectacular Cinemascope photography, the strong sense of place.

    My own Newman tribute last week involved watching the Making-of doc on Butch Cassidy and then re-watching my favorite parts of that film. Note: my favorite parts do not include "Raindrops Keep Fallin' on My Head."

    I need to watch Sunrise again. That movie stands as the greatest flip-flop I've ever done on a film. The first time I saw it I didn't like it, thought it was boring. The second time I realized it was a masterpiece. I have no idea what I was thinking that first time.

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