
I haven't seen Vivre sa Vie (waiting for the big screen experience later this winter), so I can't speak to how the two films compare. But this juxtaposition of film posters outside the Music Box theater pleased me.
This episode of the Plastic Podcast is the second half of a conversation about the Academy Award nominations and omissions.
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This episode of the Plastic Podcast is the second half of a conversation about the Academy Award nominations and omissions.
Daily Plastic is an ironically named Chicago-based movie blog, a collaboration between Robert Davis and J. Robert Parks, the same pair who brought you the wearable movie tote, the razor-thin pencil pocket, and that joke about aardvarks. If you know the whereabouts of the blue Pontiac Tempest that was towed from the Plastic Parking Lot on the evening of August 7th, 2008, or more importantly if you've recovered the red shoebox that was in its trunk, please contact us at your earliest convenience.
Davis is the chief film critic for Paste Magazine, and you can send him messages via Twitter. At this moment he is seated in a movie theatre or watching a DVD screener or eating a homemade cracker with his daughter while sipping puerh, or two of the above. Meanwhile, Parks, whose work has appeared in TimeOut Chicago, The Hyde Park Herald, and Paste, is molding unsuspecting, college-aged minds in the aforementioned windy city. Media types are warned to stay clear of his semester-sized field of influence because of the distorting effects that are likely to develop.
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I haven't seen Vivre sa Vie (waiting for the big screen experience later this winter), so I can't speak to how the two films compare. But this juxtaposition of film posters outside the Music Box theater pleased me.
J. Robert, I consider "Vivre sa vie" to be Godard's best film (and a personal favorite). Wonderfully inventive, formally interesting, beautifully shot, and it's a fascinating, if unorthodox, character study. I think you'll enjoy it. I've sadly never seen it on the big screen.
Michael — January 7th, 2009 at 12:48 amI'm with Michael in thinking it Godard's best film, at least most days. I'm lucky enough to have seen it in 16mm, but am eager for a 35mm opportunity coming up in two weeks.
Funnily, that's right around when Wendy and Lucy opens here, too. Shall investigate this connection!
Brian — January 7th, 2009 at 3:52 amThanks, guys, for the advance buzz. Not that I would miss it, but now I know I won't miss it. It's funny how the vagaries of rep programming and distribution mean I have certain huge holes in my film history. Other Godards I haven't seen include: Le Petit Soldat, Masculine-Feminine, Two or Three Things I Know about Her. It'll be great to catch up with another one.
J. Robert PARKS — January 7th, 2009 at 10:59 amNice!
Erin D. — January 8th, 2009 at 3:58 pm