Oscar Nominees, Part Two

This episode of the Plastic Podcast is the second half of a conversation about the Academy Award nominations and omissions.

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Oscar Nominees, Part Two

This episode of the Plastic Podcast is the second half of a conversation about the Academy Award nominations and omissions.

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Daily Plastic is an ironically named Chicago-based movie blog, a collaboration between Robert Davis and J. Robert Parks, the same pair who brought you the wearable movie tote, the razor-thin pencil pocket, and that joke about aardvarks. If you know the whereabouts of the blue Pontiac Tempest that was towed from the Plastic Parking Lot on the evening of August 7th, 2008, or more importantly if you've recovered the red shoebox that was in its trunk, please contact us at your earliest convenience.

Davis is the chief film critic for Paste Magazine, and you can send him messages via Twitter. At this moment he is seated in a movie theatre or watching a DVD screener or eating a homemade cracker with his daughter while sipping puerh, or two of the above. Meanwhile, Parks, whose work has appeared in TimeOut Chicago, The Hyde Park Herald, and Paste, is molding unsuspecting, college-aged minds in the aforementioned windy city. Media types are warned to stay clear of his semester-sized field of influence because of the distorting effects that are likely to develop.

The © copyright of all content on Daily Plastic belongs to the respective authors.

  • August is the month that filmmakers trade instruments with the people who run the Tony Awards. It's a big hoot, and the members of the participants' respective guilds look forward to it every year. This year, Zhang Yimou (Raise the Red Lantern, Hero) designed the opening of the Beijing Olympics, Ken Burns and Steven Spielberg are dancing Monday and tonight, respectively, at the DNC, and — here's where I get a little confused — Slavoj Žižek is directing the Telluride Film Festival which begins Friday. Cuh-razy, man.
  • Telluride is odd among the fall festivals — among all film festivals, actually — in that it announces its lineup, dramatically, on the day it opens. In the meantime, we can busy ourselves with news from San Sebastian and Venice. Daily Plastic will be reporting from the Toronto festival next week, and since there's a fair bit of overlap across the major August-September festivals, we're following remote dispatches closely.
  • We'd point you to the Sydney Morning Herald's overview of the Venice festival, but since they say that Claire Denis' last film "was a slasher," they're disqualified from contention. Even if they mean Trouble Every Day, that was seven years and three feature films ago. And her design for an unusually bloody Tony Awards never saw the light of day, so you can't count that, either.

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