Oscar Nominees, Part Two

This episode of the Plastic Podcast is the second half of a conversation about the Academy Award nominations and omissions.

The Plastic Podcast

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Oscar Nominees, Part Two

This episode of the Plastic Podcast is the second half of a conversation about the Academy Award nominations and omissions.

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About

Daily Plastic is an ironically named Chicago-based movie blog, a collaboration between Robert Davis and J. Robert Parks, the same pair who brought you the wearable movie tote, the razor-thin pencil pocket, and that joke about aardvarks. If you know the whereabouts of the blue Pontiac Tempest that was towed from the Plastic Parking Lot on the evening of August 7th, 2008, or more importantly if you've recovered the red shoebox that was in its trunk, please contact us at your earliest convenience.

Davis is the chief film critic for Paste Magazine, and you can send him messages via Twitter. At this moment he is seated in a movie theatre or watching a DVD screener or eating a homemade cracker with his daughter while sipping puerh, or two of the above. Meanwhile, Parks, whose work has appeared in TimeOut Chicago, The Hyde Park Herald, and Paste, is molding unsuspecting, college-aged minds in the aforementioned windy city. Media types are warned to stay clear of his semester-sized field of influence because of the distorting effects that are likely to develop.

The © copyright of all content on Daily Plastic belongs to the respective authors.

Ishika Mohan / Fox Searchlight / Lol Crawley
Left: Danny Boyle in India. Right: JimMyron Ross and Tarra Riggs in Ballast.

On this edition of the Plastic Podcast, Robert Davis first talks with Danny Boyle about his new film, Slumdog Millionaire. Among other things, they chat about what drew him to the project, his impression of India, working with his co-director Loveleen Tandan, his strategy for editing multiple timelines, and the film's surprising depiction of torture — over a game show.

Then Rob talks with Lance Hammer whose debut film, Ballast, is moving gradually around the country. They talk about the music he almost added, the eye of an art director, the impact of Godard and the Dardenne brothers on the film, the way he gleaned dialogue from his extensive, "architectural" process of rehearsal and improvisation, and the tone of the Mississippi delta.

0:00 Intro
3:09 Interview: Danny Boyle on Slumdog Millionaire
17:24 Interview: Lance Hammer on Ballast
33:43 Outro

Further Reading and Listening

Update: 15 December 2008
Excerpts from the interview with Lance Hammer appear at pastemagazine.com.

9 Responses to “Slumdog Millionaire and Ballast

  1. Both of these filmmakers are working in worlds they didn't grow up in. They're both outsiders. But look how different their approaches are. I wonder what the reaction would be if Danny Boyle had taken this same kinetic-dramatic approach to rural life in the Mississippi delta; what if Lance Hammer had turned his camera on Mumbai?

  2. Very enjoyable listen, Rob. Hope to see Slumdog Millionaire soon, even though I haven't liked a Danny Boyle film since Trainspotting (admittedly I've skipped a few, for good reasons I assure you.) I really liked listening to your conversation with Lance Hammer, too. Here's to getting well (I seem to be coming down with something myself right now, and I can't blame a major climate shift either).

  3. Thanks, Brian. Let me link to your own interview with Lance Hammer at GreenCine. I especially like the last question: "How do you prevent a film like Ballast to avoid presenting a touristic view on poverty or hardship?"

  4. It would be a better question if it were grammatically correct. Reading it back I realize I worded it quite poorly. Luckily the answer was more coherent...

  5. Oh, funny, I must have read right past that. I knew what you meant, and he obviously did, too.

  6. I miss your podcasts guys... when will you make new ones?

  7. Thanks, Harry. Sorry for the recent silence. We have some good stuff in the queue!

  8. We do??

    ;-)

  9. We most certainly do. Interviews with Darren Aronofsky, Ari Folman, Rian Johnson (a personal fave of mine), and others are already in the can!

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