March 07, 2010
At A Glance
This episode of the Plastic Podcast is the second half of a conversation about the Academy Award nominations and omissions.
The Plastic Podcast
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This episode of the Plastic Podcast is the second half of a conversation about the Academy Award nominations and omissions.
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About
Daily Plastic is an ironically named Chicago-based movie
blog, a collaboration between Robert
Davis and J. Robert Parks, the same pair who brought you the wearable
movie tote, the razor-thin pencil pocket, and that joke about aardvarks.
If you know the whereabouts of the blue Pontiac Tempest that was towed
from the Plastic Parking Lot on the evening of August 7th, 2008, or more
importantly if you've recovered the red shoebox that was in its trunk,
please contact us at your
earliest convenience.
Davis is the chief film critic for Paste Magazine, and you can send him messages via Twitter. At this moment he is seated in a movie theatre or watching a DVD screener or eating a homemade cracker with his daughter while sipping puerh, or two of the above. Meanwhile, Parks, whose work has appeared in TimeOut Chicago, The Hyde Park Herald, and Paste, is molding unsuspecting, college-aged minds in the aforementioned windy city. Media types are warned to stay clear of his semester-sized field of influence because of the distorting effects that are likely to develop.
The © copyright of all content on Daily Plastic belongs
to the respective authors.
While on Coraline, I was wondering if the Daily Plastic gurus had seen Nina Paley's animated film Sita sings the Blues: http://www.sitasingstheblues.com/
It's hilarious, combines the Hindu epic Ramayana with Indonesian puppet narrators and Paley's autobiographical account set in modern day New York.
Anindita — March 1st, 2009 at 1:30 pmHi Anindita. I haven't seen it, yet, but my friend Doug at Filmjourney has been talking about it for a while, and he recently posted about its availability online for free viewing. I'll have to check it out.
Robert DAVIS — March 2nd, 2009 at 12:11 amOh, I saw it online on thirteen.org too. NYT reviewed it in the second Feb and I think very few people outside the animated film festival world had heard about it till then.
Very powerful exercise in subverting copyright laws. I hope Paley makes money though. And I hope you enjoy it.
Anindita — March 3rd, 2009 at 12:20 am